Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Tuesday, January 4, 2011

52 Weeks of Music - Week 1 - Wild Planet by the B-52s

Image from CoversDaddy.com

The skies are charcoal gray. It's a dreary downtown day. But. At the end of my 30 foot leash. My little friend, Quiche.







Thus began one of my favorite songs by the B-52s, "Quiche Lorraine." It's a classic narrative about a boy and his dog, but with a super queer twist. Fred Schneider is singing about his beloved poodle, Quiche Lorraine. "Sunglasses and a bonnet, and designer jeans with appliques on 'em." My adolescent mind was blown. I was totally enthralled with this fictional bitch, just from the lyrical description.

The song is track 7 on the CD version I have of the album Wild Planet.

I always have great luck with the number 7 tracks of albums, but we'll leave numerology out of this for now. The song is the ultimate high camp showpiece of an album filled with vintage high camp showpieces.

In "Devil in my Car," Fred can't get the Devil out of his car because as Kate Pierson and Cindy Wilson sing in the background vocals "[The Devil's] got his cloven hoof on the clu--hutch."

In "Strobelight," Fred and the ladies extol the virtues of sex under a strobelight.

"Dirty Back Road" is all about, well let's just let your imagination flow.

All of these tracks were mind blowing to my exurban repressed homosexual adolescent ears. I loved dancing to them, or I'd just sit in my room and count the days until I would die. The B-52s made my existence much more tolerable, and I eventually realized that I too could make it out. Hell, I could carry a tune better than Fred Scheider. Though realistically I knew I probably would never be in a band, I was encouraged not to always do what was expected of me.

I finally stopped living in my own "Private Idaho," and now I love my life. Thanks in part to the sounds from a distant Wild Planet.

Click here for the iTunes link.  |  View Wikipedia.

Thursday, August 12, 2010

Disco Delerium

It's a hot August night and I have trash and recycling to take out; then I have dishes to wash. It strikes me that I am doing Night Work, a la the new eponymous title track from the latest Scissor Sisters opus.

I have since completed said night work, and I am humbly trying to articulate what exactly I am feeling when I listen to this music. With all that seems to be off-kilter with my life plan, the music seems to soothe me. I can happily dowse myself with Dawn and scrub sponge mopping up Rice a Roni from yesterday's blase effort at dinner as long as I have Del, Jake, BabyDaddy and Ana Matronic rolling around between my ears.

More realistically, my medication for my abhorrent sinus infection seems to be turning me into a daytime pariah, hating sleep in all its incarnations. I have consistently had a two a.m. bedtime for the past week or so. I think my mind is more expanded and stimulated at this witching hour.

It's at this point I become simultaneously introspective, retrospective, and prospective, all in the same synaptic second. That is why I sat down to see what lexical treasures I could elucidate from my heightened sense of self.

Of course, this is all a chemical delusion. I am in a delirious funk of tambourine and tango, and the fleeting feeling of joy is ever so much closer.

I guess that's all for now. My iPod battery is wearing down and I need to plug in. Cheers to chasing the dragon, even if in reality the dragon is a disco diva. It takes one to know one I guess. Ta-Tah.

Wednesday, June 16, 2010

There Is Beauty in the World


Original Image from Billboard.com

Macy Gray has a new album coming out. You can stream it live here (as of 6/16/2010).

As I right this, the earth is spewing oil due to the BP oil spill in the Gulf of Mexico. It's important in times like this to stay focused on what's important. There is beauty in the world. Now, I don't want to minimize the disaster inflicted by our own greed. I want to think of this as an opportunity to move on. The President said something or rather last night, but it's vastly important that we blame not only the oil companies, but ourselves.

We have a responsibility. We need to make sure there is still beauty in the world for the people who come after us. We do not have dominion over this realm. We have to be stewards of it for future generations.

Monday, April 19, 2010

Here Lies Love

Eat your heart out, Evita, there's a new crazy dictator's wife to lionize: Imelda Marcos.

Of course, I am talking about the concept-album, song cycle, whatver you call it, "Here Lies Love" by David Byrne and Fatboy Slim.

I heard one of the tracks, "Why Don't You Love Me" by Cyndi Lauper and Tori Amos, but I didn't care for it out of context. As the final track of the album, it brings it all together. Marcos was completely out of touch by the end of it all.

Of course, the whole album is itself out of context in a way. Byrne was recently interviewed on NPR and he said he specifically omitted the part about the shoes, the most notorious punchline to the fallen dictator story. I agree with Byrne though. The shoes anecdote minimize all of the great and terrible things that Imelda Marcos did. The album uses a disco milieu to bring life to the fascinating story of Imelda, who was herself a fan of discos, and all the decadence that went along with them.

There are eerie parallels to Imelda and Eva Peron, however, where Juan Peron survived Evita, making her a more tragic figure, Imelda lives on today. She's running for office in the Phillippenes, if you can believe that. This album kind of plays on the public's obsession with power and fame. It reminds us that there is often a very dark side to beauty.

Wednesday, June 17, 2009

In Space, No One Can Hear Me Throw Up

Aliens is on AMC tonight. It came on and Chad started watching it. Although I am a huge fan of Sigourney Weaver, but I had never seen any of the Alien movies, so I stuck around.

It was all going great. Bill Paxton, Paul Reiser, and a slew of other interesting actors who never really did much of anything else. I had no idea what the movie was even about, but I know that Aliens is the sequel to Alien.

This movie did have some great effects, especially being made 25 years ago. Everything was going great, until they took a flamethrower to a colonist who dies as an alien baby comes out of her stomach. I quietly left the living room and took my laptop to my bedroom to watch Kathy Griffin on Larry King Live (via YouTube).

The over-arching purpose of the Alien cinematic franchise (other than the obvious, make a shitload of money) seems to be to freak people out and make them afraid.

That is where I part ways with Aliens, and most horror movies. I swear sometimes, I have the constitution of a 60 year-old woman. But more than that, I have enough tension and stress in my life that watching a person covered in goo have a disgusting creature bursting from their digestive system seems like my idea of horror, which thefreedictionary.com defines as "an intense, painful feeling of repugnance and fear." I couldn't agree more.

Why do we have to be entertained by such terrible and unpleasant things? Moreover, why do we let people profit from our most visceral and profound emotions? I'd rather enjoy the pleasant things in life. Red wine, Ben & Jerry's, cheese, a nice canoe trip at Chain O' Lakes, and Sigourney Weaver in Working Girl. There are a thousand things I would rather do than subject my brain to terror, especially terror that's censored for TV and interrupted by commercials.

(If you click on the link, you can go to the Wikipedia page.)

Tuesday, May 19, 2009

Charlie's Angels Aware

I loved singing and performing. I always have. I took singing lessons, I was in children's choir at church, performed in school plays and talent shows; I loved being in front of people. I think in some ways I've been very much a drama queen, hell, I've even thought about being a drag queen, but that moment has thankfully passed.

When I was a very young child, I would take the wooden spoon out of the drawer in the kitchen and pretend it was my microphone. The fireplace hearth was my stage. My parents are particularly fond of a song I made up about wanting to get a kiss from a jungle woman. Though I don't remember it myself very well, I guess it's probably a factual account, but I'm just old enough that we didn't have a camcorder yet to verify such an event. I guess in retrospect it would have made a much better story if I actually sang "Fire" by Jimi Hendrix.

In kindergarten, I put together a band called the Hot Buns. I think this was actually a name of a band from an episode of the TV show "Gimmie a Break" so I don't really think I should have been credited for my originality. The punchline was later that year, my buns really were hot after a paddling. The Christian school I went to used a name on the board -> checkmark by name -> aggregation of checkmarks = paddling system of punishment. It was probably not a big deal. I talked a lot. I was very chatty along with my annoying precociousness.

When I grew up a little, my parents put me in Children's Choir at church. It was much better than listening to the pastor's 45 minute prayers or impossibly intellectual sermons, so I was okay with being there. Although I often wanted to stay home so I could watch reruns of Charlie's Angels.

I remember Pat, the lady in charge of the choir was very enthusiastic about teaching us music. But we never learned anything useful. She taught us the words using a gigantic poster sized easel with a mix of words and rebuses. It was all handwritten and must have taken weeks, but at the time, I despised the pictogram learning process, but it helped me learn with both sides of my brain, an incredible gift. For all the benefits of cross-brain learning, we were never taught how to read music. It was all learned by ear. Later I took piano lessons and learned music, but until I was 9 I didn't know middle c from my middle finger.

But the absolute best aspects of Children's Choir were putting on costumes and doing choreography. Once, our church did Angels Aware, a cornball musical about how God was going to come and save the earth. I will forever remember all of the Ten Commandments in order, as long as someone gives me enough time to sing them out in my head. With the sparkly gold Christmas garland halos, the dry ice cloud effects, and the choreography, I was quite literally in a form of prepubescent gay heaven. Too bad my brother and one of my sisters were also there.

It was around the time I was growing out of my family's K-Tel Dumb Ditties album and transitioning to popular music and 60s tunes my sister was into. I was also into Christian pop for a while, but I got over that when I turned 15 or 16.

As I grew up more and more, my taste in music evolved into what can only be described
as the quintessential gay boy trying to fit into the world around him. My favorite song until I was 15 was "Nothing's Gonna Stop Us Now" by Starship. It came on the radio once in fifth grade. I was typically staying in from recess and helping the teacher clean the chalkboards with another student named Gabe. I started to dance and lip sync and Gabe just started laughing. I was unapologetic about my enthusiasm. The teacher was out of the room, and I probably wasn't supposed to be listening to a secular radio station anyway, so I just didn't care. Now I've realized that what I really loved was that the sexes of the singing voices were so indeterminate. Grace Slick's voice to an eleven year old may as well have been that of another man. Can you imagine the enthralling power this had on my sexually confused brain?

In high school, I got bolder. I was an avid fan of the B-52s, the notoriously gay party band from the Athens, Georgia music underground that billed itself as the "World's Greatest Party Band." To me, they were. I bought every CD I could get my hands on. Almost every Taco Bell paycheck went to a B-52s CD in one of those clunky, anachronistic CD long boxes.

The B-52s made me lose my young queer mind. I would dance and groove and sing along anywhere I heard their music. At the time I was puzzled why more of their songs didn't make it on the radio, but going back through their albums today, I realize, that they aren't that great. Fred Schneider, the lead singer can't carry a tune. He's got a kind of gravelly voice that makes me think of Suzanne Pleshette or Bea Arthur. Plus, their music was kind of subversive. It was positively dripping with lots of sexual innuendo. They have a song titled "Dirty Back Road." Incidentally, I didn't put that together with gay sex until a few weeks ago when I saw the CD case in my rack. I like to think I was progressive, but I was more naive than even I had imagined.

Sometime when I was about 15, I saw the movie Heathers for the first of what would prove to be an innumerable number of times. The movie was vividly absurdist and surreal, but funny as all hell. At the end, Sly and the Family Stone covered Que Sera Sera, and did an amazing job. It became my all-time favorite song. To this day it retains that title, in spite of 17 years of music inundating me from all conceivable media. The song was so utterly perfect because it sounded like an utter mess. In the slick world of the late 80s and early 90s music, the blues, funk and rhythm fused in my brain to turn me into a musical adult.

About the time I discovered Sly and the Family Stone, I stopped listening to Christian pop. I loathed the concept of it, for one thing. Even now, perhaps especially now I don't think it is in any way beneficial to anyone to package the message of gospel in mass-market crap music.

I went away to college and started listening to college type music. I got into Ben Folds Five, the Indigo Girls, Cake, Guster and Jimmy Buffett, just about everything. I got into dance music a little bit also, being that I did start going to gay bars and getting my dance groove on for real.

Now I feel sometimes that I have lost that musical feeling. In a world dominated by personalized access to music, I feel that we need more people willing to go out there and perform music, rather than just consume it. I think I would like to learn how to play an instrument. I only ever learned how to play the snare drum. The piano didn't really stick for some reason. I think playing music, as well as singing and dancing connect us to something larger than ourselves. I think this larger art is something the world needs more of.

Maybe I can gather up the Kindergarten gang and reform the Hot Buns. The band name carries a lot more irony now than it did in 1983. I imagine that our first number one hit will be a cover of the B-52s classic "Dirty Back Road."

Thursday, March 13, 2008

typophile


I wonder at times why I still bother watching television as a form of entertainment.

Allow me to elaborate:

So I sit there, laptop on my lap, typing away online and finding myself irritated that I have to take a break from what I am doing on the computer to fast forward through the commercials on TiVo.

And people wonder why there's such a thing as adult ADD.

Then while combing through my bookmarks, I found a post on one of my photography/design favorites called typophile.

To be more precise: Typophile.com.

Hold me back. I am such a nerd when it comes to fonts. I love love love fonts. I can't believe that part of my job is working with fonts. Of course, my company has it's own set fonts that we use, but there is something about the artistry of fonts that gets the wheels in my head turning. It's such a collision of art, commerce, and communication. There's no other craft like fonts. We actually talked about it in my philosophy of art class.

I immediately signed up as a typophile. I have even commented on a blog or two.

I guess the summary is that what's on my computer could keep me entertained and occupied for several days, so I should more or less give up on television. There are communities online of like-minded individuals, aka fontfreaks, in which I can immerse myself.

Thursday, February 28, 2008

Geek Graffitti

You have got to love this.

Geek Graffitti